![]() “What is more, Caracol has made careful efforts to duplicate portions of Vallejo’s highly unique protected expressions by creating a would-be stand-in, fictional character – but Caracol could not even imagine a fictitious name that did NOT rhyme with Vallejo’s name,” the lawsuit reads. Vallejo claims the show took details from her life, which only could have been learned from her memoir, to inspire a similar character on the show named “Regina Parejo.” The lawsuit says Caracol had engaged in negotiations for the rights to Vallejo’s memoir, but the two parties “never agreed to terms.” ![]() The lawsuit, filed in Florida district court on Thursday, accuses Caracol of two counts of copyright infringement, saying the company borrowed from Vallejo’s memoir to inform the show.Īccording to the lawsuit, Vallejo’s 2006 memoir “Amando a Pablo, Odiando a Escobar” (which translates to “Loving Pablo, Hating Escobar”), “details her relationship with Medellin cartel leader Pablo Escobar, and her cooperation with Colombian and United States authorities in prosecuting Alberto Santofimio Botero, ex-Senator and ex-Minister of Justice, drug cartel bosses, and others.”Īlso Read: Catherine Zeta-Jones Set to Star as Infamous Columbian Drug Kingpin in Lifetime Movie The plot focuses on Escobar's contradictory drives to be a good husband a decent, upstanding, Colombian citizen a left-wing politician a supporter of the poor and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.Pablo Escobar’s former girlfriend, journalist Virginia Vallejo, has filed a lawsuit against the production company Caracol America, claiming the company stole her story for the show “Pablo Escobar: El Patrón del Mal.” Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement - "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Una dramatizacin de la vida del narcotraficante ms temido en la historia de Colombia, Pablo Escobar Gaviria, un hombre. ![]() His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying.
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